Milan is Italy's fashion capital.
Most of the older Italian couturiers are in Rome.
However, Milan and Florenceare the Italian
embroidery digitizing fashion capitals, and it is the exhibition venue for their collections.
Italian fashion features casual and glamorous elegance.
Most Japanese fashion houses are in Tokyo.
The Japanese look is loose and unstructured (often resulting from complicated cutting), colours tend to the sombre and subtle, and richly textured fabrics.
Famous Japanese designers include Yohji Yamamoto, Kenzo, Issey Miyake, and Comme des Garçons's Rei Kawakubo.
Hong Kong clothing brand Shanghai Tang's
digitizing design concept is inspired by Chinese clothing and set out to rejuvenate Chinese fashion of the 1920s and 30s, with a modern twist of the 21st century and its usage of bright colours.
As of today, there are many fashion designers in the region of China, Hong Kong and Macau.
Fashion in the Soviet Union largely followed general trends of the Western world.
However, the state’ssocialist ideology consistently moderated and influenced these trends.
In addition, shortages of consumer goodsmeant that the general public did not have ready access to pre-made fashion.
Most of the Swiss fashion houses are in Zürich.
The Swiss look is casual elegant and luxurious with a slight touch of quirkiness.
Additionally, it has been greatly influenced by the dance club scene.
Beynon-Davies considers quipus as a sign system and develops an interpretation of their physical structure in terms of the concept of a data system.
Khipukamayuq (knot maker/keeper, i.e., the former Inka record keepers) supplied colonial administrators with a variety and quantity of information pertaining to censuses, tribute, ritual and calendrical organization, genealogies, and other such matters from Inka times.
Performing a number of statistical tests for quipu sample VA 42527, one study led by Alberto Sáez-Rodríguez discovered that the distribution and patterning of S- and Z-knots can organize the information system from a real star map.
Rapid changes in the environment can cause undue stress for these natural fibers, causing them to expand and contract as they take on moisture if kept in humid conditions, to dry out in high heat.
Chemical bonds are broken by the machinations of UV light and chemicals in polluted air.
As with other, more traditional, library materials, temperature and humidity should be kept within a steady range if at all possible: 70 (+/- 5 degrees) degrees Fahrenheit and 50% (+/- 5%) relative humidity is suggested by most sources.
Pre-conditioned silica gel used for the purpose of humidity control should never come into direct contact with textiles.